Memory of the World is a network of interconnected shadow libraries, each maintained locally and independently from the others. They are integrated through a custom-made extension (named “let’s share books“) for “Calibre” an open source software for managing e-books. Calibre has a large and stable user base.
It’s intended to work both a practical resource, but also use the model of the public library was a way to frame a discussion about a post-IP cultural order.
The public library is:
– free access to books for every member of society
– library catalog
With books ready to be shared, meticulously cataloged, everyone is a librarian. When everyone is librarian, library is everywhere.
0xDB is an experimental – and to some degree imaginary – movie database. It is intended to help us rethink the future of cinema on the Internet, just as it tries to push the boundaries of what we understand as “web applications”. What 0xDB proposes is an entirely new approach to visualizing and navigating moving images, and we hope that it can serve as a point of reference for individuals and institutions who are dealing with large collections of films.
0xDB uses a variety of publicly accessible resources, like search engines and peer-to-peer networks, to automatically collect information about, and actual images and sound from, a steadily growing number of movies. At its core, it provides full text search within subtitled films and instant video previews of search results, while “timelines” – visual fingerprints of moving images – allow for spatial orientation and travel.”
Content management platform specialized in texts/books in the fields of architecture, art, philosophy, media theory; project-based sharing of reading material; part of the informal education project The Public School.
AAAARG is a conversation platform – at different times it performs as a school, or a reading group, or a journal.
AAAARG was created with the intention of developing critical discourse outside of an institutional framework. But rather than thinking of it like a new building, imagine scaffolding that attaches onto existing buildings and creates new architectures between them.
e-flux Journal #17 – June 2010
An Architektur: The term “commons” occurs in a variety of historical contexts. First of all, the term came up in relation to land enclosures during pre- or early capitalism in England; second, in relation to the Italian autonomia movement of the 1960s; and third, today, in the context of file-sharing networks, but also increasingly in the alter-globalization movement. Could you tell us more about your interest in the commons?
Continue reading “On the Commons: A Public Interview with Massimo De Angelis and Stavros Stavrides”
quote by Wolfgang Suetzl.
In addition to Felix’ research note on a misleading critique of the digital commons, I would like to add my interview here with media theoretician and philosopher Wolfgang Suetzl. In the context of a larger research project on the notion of “Excess” as elaborated by Georges Bataille, we talk about how excess and sharing are related and why none of this has anything to do with the sharing economy.
Continue reading ““The surplus of sharing cannot be recycled into further growth””