0xdb

0xDB is an experimental – and to some degree imaginary – movie database. It is intended to help us rethink the future of cinema on the Internet, just as it tries to push the boundaries of what we understand as “web applications”. What 0xDB proposes is an entirely new approach to visualizing and navigating moving images, and we hope that it can serve as a point of reference for individuals and institutions who are dealing with large collections of films.

0xDB uses a variety of publicly accessible resources, like search engines and peer-to-peer networks, to automatically collect information about, and actual images and sound from, a steadily growing number of movies. At its core, it provides full text search within subtitled films and instant video previews of search results, while “timelines” – visual fingerprints of moving images – allow for spatial orientation and travel.”

https://0xdb.org

AAARG

General description:

Content management platform specialized in texts/books in the fields of architecture, art, philosophy, media theory; project-based sharing of reading material; part of the informal education project The Public School.

Self-description/ objective:

AAAARG is a conversation platform – at different times it performs as a school, or a reading group, or a journal.

AAAARG was created with the intention of developing critical discourse outside of an institutional framework. But rather than thinking of it like a new building, imagine scaffolding that attaches onto existing buildings and creates new architectures between them.

–> aaaaarg.fail

On the Commons: A Public Interview with Massimo De Angelis and Stavros Stavrides

e-flux Journal #17 – June 2010

An Architektur: The term “commons” occurs in a variety of historical contexts. First of all, the term came up in relation to land enclosures during pre- or early capitalism in England; second, in relation to the Italian autonomia movement of the 1960s; and third, today, in the context of file-sharing networks, but also increasingly in the alter-globalization movement. Could you tell us more about your interest in the commons?

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“The surplus of sharing cannot be recycled into further growth”

quote by Wolfgang Suetzl.

In addition to Felix’ research note on a misleading critique of the digital commons, I would like to add my interview here with media theoretician and philosopher Wolfgang Suetzl. In the context of a larger research project on the notion of “Excess” as elaborated by Georges Bataille, we talk about how excess and sharing are related and why none of this has anything to do with the sharing economy.

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Organizational Aesthetics: Art Platforms and Cultural Production on the Internet by Olga Goriunova

Art Platforms and Cultural Production on the Internet, Olga Goriunova, Routledge, 2012

Departing from an organizational phenomenon, namely online ‘art platforms,’ Olga Goriunova – with the help of a variety of contemporary thinkers – reflects about a number of exemplary projects. In my understanding, her main objective is to discuss the selected projects in the framework of aesthetics (mainly), while, at the same time, trying not to narrow them down to conventional paradigms in order to keep their “aesthetic complexity” alive. Within this endeavour, it is of particular relevance that the platforms themselves as well as the production they are focussing on, are intrinsically related to both the materiality as well the ecology of networked media technology. Both the organizational structure and the techno-cultural objects it brings together would not exist without such technology. Furthermore, the platform and the type of practice that is being organized through it, mutually depend on each other. In this sense, an art platform does not just organize an existing field, but plays an important role in the emergence of the respective practice while remaining itself variable. The concept Goriunova is suggesting for her investigation, she calls “organizational aesthetics.” Continue reading “Organizational Aesthetics: Art Platforms and Cultural Production on the Internet by Olga Goriunova”