Femke Snelting

Femke Snelting works as artist and designer, developing projects at the intersection of design, feminism, and free software. In various constellations, she has been exploring how digital tools and practices might co-construct each other. She has been working on developing a Code of Conduct for LibreGraphics Meetings, addressing the need for shared values and problem handling strategies to foster diversity and inclusive culture in FLOSS communities.

She is member of Constant, a non-profit, artist-run association for art and media based in Brussels (since 2003). Since 1997, Constant generates performative publishing, curatorial processes, poetic software, experimental research and educational prototypes in local and international contexts.

With Jara Rocha she activates Possible Bodies, a collective research project that interrogates the concrete and at the same time fictional entities of “bodies” in the context of 3D tracking, modelling, and scanning. She co-initiated the design/research team Open Source Publishing (OSP) and formed De Geuzen, a foundation for multi-visual research, with Renée Turner and Riek Sijbring. Femke teaches at the Piet Zwart Institute (experimental publishing, Rotterdam) and is currently curator of the Research Centre at a.pass (advanced performance and scenography studies, Brussels).

Sources:

https://monoskop.org/Femke_Snelting
http://snelting.domainepublic.net/

Further Reading:

Codes of Conducts. Transforming Shared Values into Daily Practice. In: Sollfrank, Cornelia (ed): The Beautiful Warriors. Technofeminist Praxis in the Twenty-First Century, London: Minor Compositions, 2019.
https://www.minorcompositions.info/?p=976

in german: Codes of Conducts – Gemeinsame Werte in alltägliche Praxis umsetzen. In: Sollfrank, Cornelia (Hg.): Die schönen Kriegerinnen. Technofeministische Praxis im 21. Jahrhundert. Wien: transversal texts, 2018
https://transversal.at/books/die-schonen-kriegerinnen

Interview

Forms of Ongoingness, Interview with Femke Snelting and spideralex
Conducted by Cornelia Sollfrank, 16 September 2018