active archives – creating commons https://creatingcommons.zhdk.ch Mon, 27 Sep 2021 14:56:50 +0000 en-US hourly 1 https://wordpress.org/?v=5.8.1 Michel Murtaugh and Active Archives https://creatingcommons.zhdk.ch/michel-murtaugh-and-active-archives/ Fri, 03 Apr 2020 14:24:39 +0000 https://creatingcommons.zhdk.ch/?p=1707 Continue reading "Michel Murtaugh and Active Archives"

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“An Active Archive is not a black box with a Download button, it is information reconfigured.“

Active Archives is an initiative founded by Constant (Brussels), in collaboration with Arteleku in 2006. It currently holds ongoing collaborations with Constant and e.r.g (Ecole de Recherche Graphique Brussels).

Active Archives are concerned with decentralizing the archive, with the importance of ownership of the infrastructure, the nessecity to include other media than text, promoting re-use of content, and rethinking taxonomies and classifcation of content.

Michael Murtaugh is a technologist based in Brussel. He is a member of Constant, association for arts and media, and a lecturer at Piet Zwart Institute, Institute for Experimental Publishing at Willem de Kooning Academy in Rotterdam.

Self-description:

Active Archive aims at creating a free software platform to connect practices of library, media library, publications on paper was magazines, books, catalogues), productions of audio-visual objects, events, workshops, discursive productions, etc. Practices which can take place on line or in various geographical places, and which can be at various stages of visibility for reasons of rights of access or for reasons of research and privacy conditions.

The Active Archives project starts from the observation that most of the interesting cultural archives that have been developed over the last few years have taken advantage of those new facilities for instant publishing, but mostly in the form of websites that mirror regular information brochures, announcements and text- publishing. Often, they are conceived as “We” give information to “You”. Within Active Archives, we aim to set up multi-directional communication channels, and are interested in making information circulate back and forth. We would like to give material away and receive it transformed: enriched by different connections, contexts and contradictions.

Sources:

https://activearchives.org

“Archiving the Data-body: human and nonhuman agency in the documents of Kurenniemi”, with Teoff Cox, and Nicolas Malevé, in Writing and Unwriting (Media) Art History, edited by Joasia Krysa and Jussi Parikka, MIT Press, 2015
Draft online: https://activearchives.org/wiki/Archiving_the_Data- body:_human_and_nonhuman_agency_in_the_documents_of_Kurenniemi

Webseite of Michael Murtaugh: https://automatist.org/

Interview

Ecosystems of Writing. Interview with Michael Murtaugh
Conducted by Shusha Niederberger, 15 September 2018

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Ecosystems of Writing. Interview with Michael Murtaugh https://creatingcommons.zhdk.ch/ecosystems-of-writing/ Wed, 30 Jan 2019 13:10:33 +0000 https://creatingcommons.zhdk.ch/?p=617

Michael Murtaugh is a technologist specialized in community databases, digital archives, and tools for new forms of reading and writing online. He is a member of Constant, where he is also part of the active archive research project,  investigating and developing digital archiving platforms for cultural institutions.

In this interview, Michael discusses how infrastructures shape practices, and how recognizing these performative aspects of infrastructure can be used to question relationships to and through infrastructure. He introduces Etherbox, a RaspberryPi operated network box enabling local communities to collectively write, but is set up as a visible tool to engage with imaginations of software, infrastructure, and services. The Etherbox thus takes the concept of active archives a step further. Whereas active archives try to formulate ideas how archives can live on and serve communities in more productive ways than a frozen account of a historical event, Etherbox expands the concern about the performativity of infrastructure into a tool, which addresses both the symbolical level (of speculative infrastructure) as well the functional level (of collective writing spaces). That intertwinedness of the aesthetical and the functional is expanding the territory of infrastructure into an ecosystem of writing.

Interview conducted by Shusha Niederberger, September 15, 2018, HeK (House of Electronic Arts Basel).

 
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