Femke Snelting develops projects at the intersection of design, feminisms and free software. In various constellations, she has been exploring how digital tools and practices might co-construct each other. She is a member of Constant, a non-profit, artist-run association for art and media based in Brussels.
Spideralex is a sociologist and holds a doctorate in social economy. She is the founder of the catalan cyberfeminist collective Donestech that explores the relation between gender and technologies developing action research, documentaries, and training. She was the coordinator of a four-year international program with the title “Gender and Technology Institute”, working with human rights defenders and women’s rights activists around the world on topics of privacy and security online, but also in the physical and psycho-social domain. She has edited two volumes on technical sovereignty initiatives.
In this interview, Femke and Spideralex talk about their shared practice of engaging with what they call feminist technologies. They discuss their understanding of technology as an embodied practice, that bears desired relations as well as terrible connections. How can we live in ungracious times? They explore, how digital infrastructure could work differently with the help of the feminist server, which is both a real server, a need, and at the same time a thinking tool. Within this discussion, they also address questions of autonomy versus ongoingness, the role of language as a tool of investigation, and the cultural dimensions of technology like expectations of servitude behind functionality.
Interview conducted by Cornelia Sollfrank, 16 September 2018, HeK (House of Electronic Arts Basel).
In this interview, he gives an overview of the activities of Multimedia Institute and it’s public space MaMa in Zagreb until today. He discusses the work of networking institutions and cultural advocacy in the political context of Croatia and draws connections to the discourse around the commons.
In this interview, Marek Tuszynski, one of the two co-founders of Tactical Tech, explains what the goals of their non-profit organization are, how it is structured, how it aims to reach a wide audience through a variety of public engagements, and what its basic assumptions are. Originally dedicated to train human rights defenders and social justice activists in safe handling of technology, the organization has expanded over time and now also provides easily accessible information about critical use of technology for the average user. This is mainly done through exhibitions, workshops and freely accessible training materials on its website. Working with the paradoxes of technology means for TT to present technology, information and data in all their ambiguity, raising awareness of the political aspects of technology, including both empowerment and disenfranchisement.
Sebastian Lütgert & Jan Gerber are two artists and programmers who developed the movie database 0xdb and its underlying software pan.do/ra. The more than 15,000 films in the database are objects that cover films hard to find online. 0xbd is not just a database for films but treats film as a veritable digital object, which allows new ways of dealing with films.
The project offers a number of special features such as the visualization of the timeline, time-based annotations, additional information and interlinking with other objects and information, and allows for in-depth search. The project stands in the tradition of autonomous archives and other critical media practices and has collaborated with artists and political activists worldwide. The software, as well as the movies, are available for free.
Z. Blace is (in+)consistently working (in-)between fields of contemporary culture and arts, digital technology and media, community sports and activism – by cross-pollinating queer perspectives and methodologies with social and political practices.
Z. Blace co-founded and curated media projects and exhibitions at the Multimedia Institute/MaMa and LABinary in Croatia (1999 – 2008), and Silent*Observers at UCSD in 2006. He instigated the sport-culture-activism initiatives qSPORT/QueerSport.info in Croatia and ccSPORT.link in Berlin/Germany. His engagements from 2014 to 2017 include: Pop-up Rainbow with ToolsForAction.net, Kickertables with TimeLab.org, Entorse.org & Recommerce/Bains.be.
Tactical Tech provides information, tools and knowledge for activists, technologists and engaged citizens on the use of information technology. It was founded 2003 Marek Tuszinski and Stephanie Hankey. Its main objectives are awareness raising on issues of privacy, digital security and mobilisation. In the last two years they embraced exhibitions as a medium for communication.
Technology is impacting on our civil liberties, our rights, and our autonomy. Tactical Tech is a non-profit organisation who has been responding to these shifts for the past 15 years by finding practical solutions for a global network of activists, technologists and engaged citizens. Their outputs are shared with over three million people worldwide through applied research, capacity building, trainings, workshops, events and exhibitions. In doing this, Tactical Tech hope to raise awareness about privacy, provide tools for digital security, and mobilise people to turn information into action.
0xDB is an experimental – and to some degree imaginary – movie database. It is intended to help us rethink the future of cinema on the Internet, just as it tries to push the boundaries of what we understand as “web applications”. What 0xDB proposes is an entirely new approach to visualizing and navigating moving images, and we hope that it can serve as a point of reference for individuals and institutions who are dealing with large collections of films.
0xDB uses a variety of publicly accessible resources, like search engines and peer-to-peer networks, to automatically collect information about, and actual images and sound from, a steadily growing number of movies. At its core, it provides full text search within subtitled films and instant video previews of search results, while “timelines” – visual fingerprints of moving images – allow for spatial orientation and travel.”